warm audio wa14 gearslutz

The other is that for all the work rival manufacturers have put into copying and re-skinning Neumann’s capsule designs, they still haven’t quite managed to recreate the special qualities of a 40-year-old original.

Included with the WA-14 is a carrying pouch, hard mount and shock mount. What Makes You a "Real" Music Producer? I'd do that. If you’re looking for a microphone that can provide you with versatility in the studio, with a smooth high-quality sound (especially on female vocals), we’re not sure there’s a better option at its price than the WA-14. The Warm Audio WA-47 is a high-performance, multi-pattern, large-diaphragm, transformer-balanced, tube condenser microphone. Create an account, Review: Warm Audio WA-14 Condenser Microphone, Warm Audio has continued its trend of creating modern reproductions of classic studio gear.

The features of this microphone set it apart from many of the other microphones with its price tag. Stephen Bennett - Audio Media International, Joe Carrell - (Thousand Foot Krutch, Tasji Bachman, Sanctus Real, Pauline Reese), Large diaphragm condenser microphone with variable pad and three polar patterns (Cardioid, Figure of Eight, Omnidirectional), Polar Patterns: Cardioid, figure of eight and omnidirectional, Features custom WA-12-B-60V edge-terminated, dual-backplate, all-brass vintage CK12-style capsule, Includes shock mount, hard mount, and Protective Pouch.

You wouldn’t call them overbearing or harsh, or even particularly bright compared with lots of other capacitor mics, but they hovered on the tipping point where high-frequency sparkle began to dominate over mid-range heft.

Who won?

This situation has created a niche for companies like Warm Audio and Golden Age, who use low-cost Far Eastern manufacturing to bring replicas of this gear to market at much more affordable prices. Create a username and password below and an account will be created and your post entered. It may have a “cheaper” look than the C414, but it is solid and overall, feels pretty durable.

Brass capsule mics can be incredibly expensive. The two capsules are quite different, the slightly smaller M7 using a PVC diaphragm glued to the backplate compared to the K47’s Mylar diaphragm clamped in place using a ring mount.

Over the years, they have released multiple microphones including the WA-47 and WA-87, clones of Neumann’s legendary U47 and U87 microphones. The views expressed are those of the contributors and not necessarily those of the publishers. On electric guitar cabinet, the WA-47 signal was earth-shattering. The WA-14 is a classic condenser microphone based on the early 1970's microphone used on countless hit records.

U47 aficionados will already have spotted that this is a recreation of the K47/49 capsule (the distinction between the K47 and K49 being irrelevant with modern parts tolerances), which didn’t debut on the U47 until 1960, rather than the original U47’s M7 capsule. We researched dozens of studio monitors and weighed all the pros and cons. Are those qualities just the result of ageing, or are there still aspects of Neumann’s own manufacturing process that no-one has yet successfully replicated?

Re: 2 tops and 2 subs how to run tops in stereo and sub... 2 tops and 2 subs how to run tops in stereo and subs in... Best option for organic, analogue sound design and rhyt... Seeking Advice on Old-School (50's & 60's) Mic'ing ... A good-sounding, all-round studio microphone with a sound character that recalls a brighter U87. The Warm Audio WA-47 is a high-performance, multi-pattern, large-diaphragm, transformer-balanced, tube condenser microphone. A modern reproduction of the legendary Telefunken '251. Warm Audio equipment is used by many famous musicians amongst them are the following Lars Stalfors, Brad Fernquist, Michael Lattanzi and Scott Weiland.

Basically this combines the functionality of the Neumann U47 and its sibling the U48 into a single,all-in-one microphone. We gave them a chance and set out to see what the hype was all about.. We spent countless hours trying to get even closer to the sound of the vintage version than we had with the WA-87, so the new WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima.

The LK-12-B-60V capsule differs in other regards, such as being larger than the CK-12 (which can have some negative effects, especially with off-axis recording) and is of much simpler construction.

On the microphone front, they have released the WA-47, WA-87 and WA-14 (modern reproductions of the classic Neumann U47, U87, and AKG C414), among others. There’s no built-in hi-pass filter, so you will have to be careful with rumble and sub-harmonic build-up, but this is easily dealt with at the preamp stage, or later. Cranborne Audio Camden EC2 Preamp & CAST Expanders, United Audio Technologies UT FET 47 | Audio Examples. The WA-14 utilizes a custom all-brass CK12-style capsule, CineMag USA transformer, and a fully discrete signal path. In this article, we go over its history and review the AKG C414 XLII.

The first thing you’ll notice when you see the Warm Audio WA-14 is that it doesn’t quite look like the C414. I can see the WA-14's as my go-to mics for piano and acoustic guitars from now on.". The Warm Audio WA87 is the most versatile microphone out on the market with an affordable price tag for what it offers.

The nods in the direction of the Neumann U47 are entirely warranted. If you were considering using the WA-47jr as a versatile multi-pattern condenser, the Aston Spirit provides the same three polar patterns in a British manufactured mic with a cool, distinctive look. However, what really surprised us is how the WA-14 shines on female vocals, delivering a shimmering sound without any bright harshness. Like the WA-47, the lower spec WA-47jr also comes nicely-packaged in a foam filled box that contains the microphone, shockmount, an additional hardmount and a carry pouch. Most reviews I've seen about it say that it's virtually indistinguishable from the brass capsule 414, which now goes for several grand and has quite the reputation for being a great workhorse. It is still a market-leading product 50 years later, but today’s U87Ai is the result of a 1986 design revision, and differs from the original in various respects that some people think are significant. Nonetheless, Warm Audio has done a great job in their design to mimic a great deal of the sound character of the legendary CK-12 capsule. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. The WA-14 indeed succeeds at achieving many of the sonic qualities of the C414 EB while sounding great at its price. In addition the WA-47 has, unlike it’s more expensive sibling, a built-in high-pass filter and 10dB pad.

But, what really matters is the hardware that this mic is packing, so what about what’s inside? This marvelous capsule combined with its versatile polar patterns selector made the C414 an incredibly versatile weapon in the studio. Our first impressions with the WA-47 plugged into our LA-610 preamp, left us picking our jaws up from the floor. One major difference between these two capsules is that the WA-14 uses the more modern CEK-12 backplate not found with the original C414 EB. Demand for items of classic studio hardware is high and supplies are low, meaning that the originals are out of reach to many home and project-studio owners. With a fair amount of compression applied the resulting tracks sat on top of our mix, above the bed of instrumentation with little to no EQ necessary.

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